MiM quiz – Expert level / Education
Remember, this quiz is not about testing your knowledge about contemporary music. It's all about getting to know the four composers - their music, techniques, but also inspirations and private stories. We invite you to take on this challenge - discover the universe of four personalities and dive in into their music.
Creative periods - Louis Andriessen
Which work by the composer is earlier? Which is later?
The earlier one should be indicated.
Louis Andriessen’s music is often divided into pre- and post-De Staat (1972):
- Ittrospezione III (1965) – music that fits in well with the avant-garde of the 1960s.
- Excerpt from De Materie (first part) - its characteristic features include clear pulsation, repetitions, Stravinsky and jazz influences.
Composers and trends of music of the recent and distant past had a considerable influence on all four composers. Link a source of inspiration to a composer.
The affinity between Stravinsky’s and Louis Andriessen’s music is evidenced not only by the Dutch composer’s works but also by a book devoted to the Russian’s oeuvre which Louis Andriessen co-authored (The Apollonian Clockwork).
The impact of Bartók’s music can easily be discerned in Kazimierz Serocki’s oeuvre of the first half of the 1950s, for example, in his Sonata for piano.
To a large extent the style and techniques Arvo Pärt developed in the late 1960s and early 1970s were a result of his studies of Renaissance and late medieval polyphony, and Gregorian chant.
The avant-garde of the 1950s, including Pierre Boulez, considered the music of Anton Webern to be its predecessor and model to be developed further.
Which ones among the four composers created such ensembles?
Many contemporary composers were also performers of their own (and not only their own) music; some even founded ensembles specialising in performances of contemporary works (not only their own).
In 1976 Pierre Boulez founded Ensemble Intercontemporain – an ensemble of 31 soloists specializing in new music, which became a model for similar enterprises in France and other countries. Louis Andriessen sought to create a new type of ensembles, providing an alternative to the line-ups and modes of operation of conventional orchestras and chamber ensembles – he put his concepts into practice in Orkest de Volharding and Hoketus, which he co-founded.
Which ones among the four composers wrote music for the youngest performers?
Match each statement with a composer.
Pierre Boulez was once asked to write a piece for an album of modern compositions for piano learners. He did comply with the request and the piece was published on the album, but Une page d’éphéméride is a very demanding composition technically – in any case Boulez himself admitted that he seemed to be unable to write anything simpler.
Kazimierz Serocki’s The Gnomes, a collection of pieces for young pianists, became very popular and was even arranged in various transcriptions for other instruments.
In Louis Andriessen’s Dancing on the Bones, a piece the composer described as a “diabolical scherzo”, a children’s choir sings about what happens to the body after death.
Arvo Pärt’s “children’s” works were issued on the Songs from Childhood album.
Read more about his Music for Children.
Creative periods - Pierre Boulez
Which work by the composer is earlier? Which is later?
The earlier one should be indicated.
Discreet use of live electronics (delay, reverb diversification) points to a later period of Pierre Boulez creations, associated with the IRCAM technology (Dialogue de l'ombre double, 1985). In the case of Le marteau sans maître (1954), the earlier date is indicated, inter alia, by the melody characteristic for the avant-garde of the 50s.
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