MiM quiz – Explorer level / Education

Remember, this quiz is not about testing your knowledge about contemporary music. It's all about getting to know the four composers - their music, techniques, but also inspirations and private stories. We invite you to take on this challenge - discover the universe of four personalities and dive in into their music.

 

 

Orchestral music - who composed this musical piece?

Listen to the short excerpt and  recognize the composer.

Instrumental color scheme also plays a major role in Pli selon pli composed by Pierre Boulez, but this piece sounds quite different from Serocki’s music. Boulez saw the precise pitch as equally important as harmony arrangements.

In Ad libitum the nature of the music resembles that of colour fantasia, like in many of Krzysztof Serocki’s works.

A vivid, though by no means simple rhythm, sound of the orchestra favouring the brass rather than the strings suggest Louis Andriessen – the example is taken from his Mysterien.

Consonant chords, melody and harmony bringing to mind Renaissance music in Arvo Pärt’s 3. Symphony are characteristics of many of his works.

Links with popular music (apart from works for children) – which of the four composers:

Although he is appreciated by many artists associated with popular music, he never himself wrote such music.
Wrote mass songs?

In the Stalinist period many Polish composers, including Kazimierz Serocki, expanded the mass song repertoire.

Worked with Frank Zappa?

In 1984 Pierre Boulez, conducting Ensemble Intercontemporain, made a recording of Frank Zappa’s songs featuring Frank Zappa (Perfect Stranger).

Arranged the Beatles’ songs?

The Beatles’ songs arranged by Louis Andriessen include Michelle, Yesterday and Ticket to Ride.

Chamber music - which of the four composers wrote this musical piece?

Listen to the short exceprt and recognise the composer.

The example comes from Louis Andriessen Zilver.

The example comes from Kazimierz Serocki Swinging Music.

The example comes from Arvo PärtEs sang vor langen Jahren.

The example comes from Pierre BoulezLe marteau sans maître.

The four composers not only composed songs. To a smaller or bigger extent they also tried to influence the shape of the musical life in their countries and globally. To whom do the following statements refer?

He had a huge impact on the shape of the musical scene by creating new ensembles, institutions, artistic events.

Among Pierre Boulez's most important achievements are not only the artistic ones but also the creation of IRCAM, Ensemble Intercontemporain as a model of a new music ensemble and concert halls adapted to unconventional music performances, which he designed together with the architect Frank Gehry.

There was a period in his work when he wanted to take music out from concert halls and to broaden its social role.

In the 60's and 70's Louis Andriessen, together with other artists, used to attack what he regarded as bourgeois and outdated forms of concert life, which he wanted to replace by the modes much better adapted to the needs of the modern society.

He influenced the musical scene with the power of his music, therefore the term

Hollywood but also indie directors like to use the magical music of Arvo Pärt to soundtrack their films. But he has not made any significant efforts towards influencing music life through creation or being part of institutions

He was the initiator of an important contemporary music festival.

Kazimierz Serocki was one of the founding fathers of the International Festival of Contemporary Music in Warsaw, referred to as “Warsaw Autumn”,

Read more about the "Warsaw Autumn Festival".

 

Vocal music - who composed this musical piece?

Listen to the short excerpt and  recognize the composer.

The example comes from Pierre BoulezPli selon pli.

The example comes from Louis Andriessen La passione.

The example comes from Arvo PärtKanon pokajanen.

The example comes from Kazimierz Serocki Poesies.

Which of the composers is associated with the concept of tintinnabuli?

Arvo Pärt invented his personal musical language in 1976 after discarding all modernist tools and studing early polyphony and Gregorian chant for many years. He named it tintinnabuli – from Latin tintinnabulum meaning ’little bell’. 

Read more about tintinnabuli.

Well done!

We hope you enjoyed the experience! 

You can now share & save your MiM certificate!