• Quick Tour
  • Media Room
  • Composers
  • Musical Crossroads
  • Quick Tour
  • Composers
  • Media Room
  • Musical Friends
  • Education
  • Glossary
  • Musical Crossroads
  • Project Partners
  • Contact Us
  • Credits
  • Mondriaan Fonds
    Mondriaan Fonds
Site by: Rytm Interactive
Kazimierz Serocki

Kazimierz Serocki

open profile
  • Music
  • Video
  • Images
Pianophonie. Guided listening
Pianophonie. Guided listening
00:32:27
Poesies
00:11:38
Segmenti
00:07:12
Symphony No. 1
00:28:49
Eyes of the Air
00:10:28
Musica Concertante
00:18:08
Piano Sonata
00:18:12
Symphonic Frescoes
00:13:14
Continuum
00:11:08
Fantasia elegiaca
00:16:17
Fantasmagoria
00:16:14
Impromptu fantasque
00:12:03
The Gnomes. Miniatures for children
00:07:31
Episodes
00:12:13
Sinfonietta
00:14:18
Dramatic Story
00:16:57
Concerto for trombone
00:21:00
Arrangements (version for 1 recorder)
00:07:51
Arrangements (version for 2 recorders)
00:07:57
Arrangements (version for 3 recorders)
00:07:40
Arrangements (version for 4 recorders)
00:09:30
Pianophonie
00:32:32
Ad Libitum
00:18:10
A piacere
00:07:08
Swinging music
00:03:56
Suite of Preludes
00:10:55
Concerto for trombone and orchestra (1953)
Trombone; photo: ESolomon, Wikimedia Commons. Public domain.
Kazimierz Serocki / Concerto for trombone

Concerto for trombone

  1. Lento espressivo. Allegro
  2. Largo, molto cantabile
  3. Allegretto grazioso
  4. Allegro

Concerto for trombone and orchestra (1953)

Kazimierz Serocki’s Concerto for trombone was written in 1953. Alongside his Suite for four trombones and Sonatina for trombone and piano, it is one of those pieces by the Polish composer that demonstrate his great familiarity with the secrets of the instrument. The concerto is also an example of his use of motifs inspired by Polish folklore as well as neoclassical style (Serocki drew here on classic formal models like the sonata form or rondo).

A page of the manuscript of Suite for 4 trombones. Warsaw University Library. Courtesy of Polish Music Information Centre

The work comprises four movements with the third – like in a classic symphony – being a dazzling, light and playful scherzo (Allegro grazioso). The first movement (Lento espressivo, molto rubato – Allegro) is a highly virtuoso show of trombone playing interspersed with striking “entries” of the orchestra. The second movement (Largo, molto cantabile), on the other hand, is an example of music with truly romantic, great expressive power. The finale (Allegro) is again light, witty and playful music with a considerable virtuoso element.

Serocki’s Concerto for trombone was premiered during Juliusz Pietrachowicz’s graduation concert on 18 December 1954. Collaboration with this virtuoso, the first trombone player in the Warsaw Philharmonic, was the main inspiration for all of Serocki’s works for the trombone. The composer knew very well what combination of sounds or specific articulations are possible on the instrument, and made a brilliant artistic use of them.

“The solo instrument part, fully utilizing its technical and expressive possibilities, is written in a very ‘trombone-like’ manner. Thus, the soloist can produce a great performance in terms of both technique and interpretation,” read the programme note before the premiere of the work (Programme of the 11th Symphonic Concert of the Warsaw Philharmonic, 18 and 20 December 1953, pp. 1–2). The concerto is still quite popular with performers.

Discover in Graph
date:
11.04.1995
author:
Kazimierz Serocki
contributor(s):
Polish Radio
leading topic:
audio recording
IPR status:
in copyright, text: CC BY-NC
copyright holder:
Polish Radio/ FINA
searching party:
NInA
conductor name:
Tomasz Bugaj
performers names:
Wielka Orkiestra Symfoniczna Polskiego Radia in Katowice (orchestra); Mazurkiewicz MichaƂ (trombone); Bugaj Tomasz (conductor)